Charts with statistics on the screen of a laptop on a glossy surface

Last year’s release of iOS 11 from Apple was all about turning the iPad into a full-fledged PC, but there remained a set of core desktop apps that were still stubbornly off Apple’s mobile platform, the full-fat version of Photoshop being key among them. Today, however, a report from Bloomberg reveals that Adobe is working on correcting that omission. Adobe is said to be planning to announce the release of the full version of Photoshop for the iPad in October of this year and to release the app in 2019. The company’s Scott Belsky, chief product officer for Creative Cloud, confirmed the cross-platform edition of Photoshop, though not the timeline of its release.

A man sitting with his arms crossed looking at his laptop


The fact that a Sanrio anime is both acknowledging these inequalities and portraying fantasies of taking the easy way out is incredibly refreshing, because it validates so much of what goes unspoken — or at least, underexplored in mainstream media — about female anger and when and how it is allowed to be expressed. The show’s best moments are rooted in painfully relatable realities: like when Aggretsuko daydreams about calling out a lazy supervisor, or when an annoying salesclerk follows her around the store relentlessly until she feels pressured to buy some socks. (In Korea, overly attentive salesclerks have become so ingrained in the culture that some stores have color-coded baskets shoppers can use to indicate whether they want help or not.) In so many aspects of Asian culture, the pressure to be polite can be suffocating, and Aggretsuko’s death metal karaoke jams lamenting all of these societal ills is a much-needed catharsis.


 The fact that a Sanrio anime  is both acknowledging these inequalities and portraying fantasies of taking the easy way out is incredibly refreshing, because it validates so much of what goes unspoken — or at least, underexplored in mainstream media — about female anger and when and how it is allowed to be expressed. The show’s best moments are rooted in painfully relatable realities: like when Aggretsuko daydreams about calling out a lazy supervisor, or when an annoying salesclerk follows her around the store relentlessly until she feels pressured to buy some socks. (In Korea, overly attentive salesclerks have become so ingrained in the culture that some stores have color-coded baskets shoppers can use to indicate whether they want help or not.) In so many aspects of Asian culture, the pressure to be polite can be suffocating, and Aggretsuko’s death metal karaoke jams lamenting all of these societal ills is a much-needed catharsis.